Graduate from Winchester School of Art in 2017 with a Bachelor of Fine Art and from the Royal College of Art in 2019 with a Masters of Curating Contemporary Art, I oscillate between curated and artistic projects.

My work explores themes of language, feminism and digital networks and cultural identity. On the latter, when I quote ‘cultural identity’ I refer to the hybrid fluid mixed identity. This fluidity of belonging everywhere and nowhere at once, this mix of cultures and experiences that becomes its own genre, and is increasing in population. My own experiences, of being born in a country without being ‘from’ there and which memory I barely forgot, to speaking a different language from my classmates and moving to multiple countries since, impacted my identity and work. Lucky for me, feminist theorist Gloria Anzaldúa has put this feeling into books and poems where I lure back into where my own words won’t do.

Through a double exposure technique in my camera setting, my pieces compose of both painting and photography, creating layers and alluring to this hybrid cultural experience and fluid identity that has shaped me. In some way, this hybrid-ness acts as an act of rebellion against categorisation, it’s neither photography nor a painting, and I am neither a curator nor an artist. Depends who sees it can be one of the others, maybe both on a good day, maybe neither on a bloomy one.